Bright Blue Light

A blue light hung motionless in the sky right next to the half-moon. It was like the night sky had a hole in it, and the blue of mid-day was leaking through. It was a perfect circle, smaller than the moon. A blue circle in the night sky.

I stood back from the window still holding the curtain with one hand, and I reached behind me for my phone with the other. I called Harry and he picked up straight away.

“You should look outside right now,” I said before he had time to say hello.

“It’s, like, 2am,” he said.

“You don’t have a normal sleeping pattern.”

“What do you want Kate?”

“Look outside.”

I heard mumbles and a window opening.

“What am I looking at?” asked Harry.

“Look at the moon. To the left of the moon.” There was silence. “It’s blue,” I said.

“Shit,” he said.

“What do you think it is?”

There was a pause from Harry.

“Could be a drone,” he said

“Oh, of course, I didn’t think of that.

We’re quiet for a few moments, on the phone watching the light in the sky.

“Don’t drones move around a lot, though?” I asked Harry.

“Yeah they do,” he answered.

“Harry… I’ve been watching it for about ten minutes. It hasn’t moved from that spot, but I think it’s getting bigger.” I pressed my face against the cold glass. My breath fogged the window. “Can you get a picture of it?”

“Yeah I could give it a go. Just hang on one sec, I’ll grab my stuff.”

There was a clang as Harry put the phone down. I could hear the main road travel through the speaker. I used to wake up early mornings to the sound of that road.

“Still reckon it’s a drone, though,” said Harry. I could hear the beep of his camera turning on.

“You used to be far less skeptical.”

“Yeah well it’s 2am, I’m always skeptical at 2am.”

“It’s 1am.” I said.

“1:30,” he said. I took my phone away from my ear. It was 1:28 am.

“… but otherwise, it could just be a drone,” I heard Harry say as I put my phone back to my ear.

“Sorry, what? I missed that first bit.”

“Nothing. I’ve taken a few pictures. Not great, though. Do you still have my 24mm lens?”

“Pretty sure you lent some lenses to Tom. Could you send the photos to me?”

“Of course I did. And yeah I will in the morning.”

“Are you going back to bed?”

“No, I’m too awake now.”

“Sorry.”

“Kate I think you’re right.”

“What?”

“This thing is actually growing.”

Blue Light

I realised I had been staring at the corner of my window, and looked back up at the blue light. It was bigger than the moon now. And brighter.

“I think I can get better pictures of it at the water tower.” said Harry.

“I can bring a better lens that Jack bought last week.”

“Jack?”

“My new roommate.”

“Right.”

“I can meet you there in about thirty,” I said.

“Where?”

“The water tower?”

“Oh right. Sorry. Still half asleep.”

“You’re not concerned about this at all are you?”

“Like I said, 2am makes me skeptical.”

I didn’t correct him, I knew it would be 2am by the time I reached the tower.

I grabbed a backpack and hurriedly filled it with warm clothes and a blanket. I took my own camera, just in case. Oh, and snacks – I tiptoed into the kitchen to avoid waking the roommates. I moved in last week and I didn’t know if they would be interested in assumed extraterrestrial activity.

Jack had left his lens on the kitchen table. I wrapped my jacket around it and put it in my bag. I would return it in the morning.

It concerned me how little Harry cared about the light. When we met we were had bonded over our childhood obsession with the conspiracy books in our local libraries. We had both agreed we were now adult skeptics. But a part of me wanted to believe.

I walked to the water tower, glancing at the light every so often. People had already noticed the light and were standing out on their lawns. Pajamas still on, phones to ears, phones to the sky. I kept walking.

Harry was already there by the time I arrived. He was setting up his tripod.

“Hey,” I whispered behind him.

“Hey,” he whispered back. I took out my jumper and unwrap Jack’s lens.

“Oh hey, this is a pretty good lens,” Harry said screwing it on his camera as I put the jumper one. “I got this too,” said Harry, pulling out an old checkered blanket. It was the one from his bed.

“I didn’t know how long we’d be here for so I prepared for the worst.”

We sat back against the railing looking up at the blue light. Every now and then Harry would sit up and take a picture. We were silent and there were crickets.

I couldn’t tell if the blue light was increasing in size anymore. My eyes lids drooped, and I began having trouble focusing.

“Kate, Kate.” I woke up to Harry shaking and yelling at me. “Kate!” I had fallen asleep on his shoulder.

“Harry, Jesus, what’s wrong?” But he didn’t need to explain, his fingers pointed to the sky. The blue light had started to do…. something. I couldn’t put my finger on it. It was vibrating almost. It was silent, pulsating. The crickets had stopped chirping. The light stopped vibrating. Goosebumps prickled my skin and my heart skipped a beat.

Then it exploded. Silently. It exploded like a firework. Bits of blue light flew across the sky like comets. The sky sparkled for a minute. And then there was nothing.

“Shit,” Harry said. I stayed silent in shock. “I didn’t get a picture.” I turn to him.

“That’s what you’re shocked about?” I ask.

“Yeah, it would have been an amazing shot.” I didn’t know how to react. harry and I just sat watching the light of the sunrise creep into the world. Harry packs up his things.

“Anyway, I have to go, I’ve got work in a few hours. Should probably get some sleep.” I hand back his checkered blanket. He starts to walk to the stairs of the tower when he realises I’m not following. “So you’re staying here?”

“Just in case,” I say.

“Kate I think the shows over.”

“Show?”

“What would you call it?”

“I don’t know,” I say, still staring at the sky.

“Sure,” I say and he leaves.

It was on the news the next day. Other people had managed to capture the moment it exploded. I watched a few online videos. NASA released a statement taking responsibility. They said it was just a routine missile test that got a little bit out of hand. Of course, I was skeptical about that, and blogs and sites were created also doubtful about the statements. But there was nothing out there truly convincing, and it annoyed me for a time. It was something that was always in the back of my mind. It was an itch of information I couldn’t scratch, but I did eventually give up on it.

I gave up on Harry. Well, he gave up on me too. I was skeptical about us. We couldn’t be just friends with a history of being more than. That’s what I convinced myself happened. That’s what I believe happened. But you can’t believe everything when you know the universe is a strange place.

 

Ashlee Poeppmann

 

Anthology: Poetry

Like visual art and music, the world of poetry is also full of seasonally-inspired works, from Frost’s snowy woods to Shakespeare’s summer sonnets. The following represent two sets of seasonal poems examining Spring, Summer, Autumn and Winter, one set from the northern hemisphere and the other from the southern, in this case exclusively Australian bush poetry. The contrasts are interesting and readily apparent. Where the northern poets described distinct climactic features easily recognisable from the bias of classical canonic art, the bush poets experienced the seasons in terms of rains, crops, the quality of light and the subtle changes in flora and fauna.


NORTHERN HEMISPHERE

Vernal Equinox
Amy Lowell, 1874 – 1925

The scent of hyacinths, like a pale mist, lies

between me and my book;
And the South Wind, washing through the room,
Makes the candles quiver.
My nerves sting at a spatter of rain on the shutter,
And I am uneasy with the thrusting of green shoots
Outside, in the night.

Why are you not here to overpower me with your

tense and urgent love?

 

Summer Song
William Carlos Williams, 1883 – 1963

Wanderer moon
smiling a
faintly ironical smile
at this
brilliant, dew-moistened
summer morning,—
a detached
sleepily indifferent
smile, a
wanderer’s smile,—
if I should
buy a shirt
your color and
put on a necktie
sky-blue
where would they carry me?

 

October
Robert Frost, 1874 – 1963

O hushed October morning mild,
Thy leaves have ripened to the fall;
To-morrow’s wind, if it be wild,
Should waste them all.
The crows above the forest call;
To-morrow they may form and go.
O hushed October morning mild,
Begin the hours of this day slow,
Make the day seem to us less brief.
Hearts not averse to being beguiled,
Beguile us in the way you know;
Release one leaf at break of day;
At noon release another leaf;
One from our trees, one far away;
Retard the sun with gentle mist;
Enchant the land with amethyst.
Slow, slow!
For the grapes’ sake, if they were all,
Whose leaves already are burnt with frost,
Whose clustered fruit must else be lost—
For the grapes’ sake along the wall.

 

To Winter
William Blake, 1757 – 1827

O Winter! bar thine adamantine doors:
The north is thine; there hast thou built thy dark
Deep-founded habitation. Shake not thy roofs
Nor bend thy pillars with thine iron car.
He hears me not, but o’er the yawning deep
Rides heavy; his storms are unchain’d, sheathed
In ribbed steel; I dare not lift mine eyes;
For he hath rear’d his scepter o’er the world.
Lo! now the direful monster, whose skin clings
To his strong bones, strides o’er the groaning rocks:
He withers all in silence, and in his hand
Unclothes the earth, and freezes up frail life.
He takes his seat upon the cliffs, the mariner
Cries in vain. Poor little wretch! that deal’st
With storms; till heaven smiles, and the monster
Is driven yelling to his caves beneath Mount Hecla.

 


SOUTHERN HEMISPHERE 

September in Australia
Henry Kendall (1839-1882)

Grey winter hath gone, like a wearisime guest,
And, behold, for repayment,
September comes in with the wind of the West
And the spring in her raiment!
The ways of the frost have been filled of the flowers,
While the forest discovers
Wild wings, with the halo of hyaline hours
And the music of lovers.

September, the maid with the swift, silver feet!
She glides, and she graces
The valleys of coolness, the slopes of the heat,
With her blossomy traces;
Sweet month, with a mouth that is made of a rose,
She lightens and lingers
In spots where the harp of the evening glows,
Attuned by her fingers.

The stream from it’s home in the hollow hill slips
In a darling old fashion;
And the day goeth down with a song on its lips
whose key-note is passion;
Far out in the fierce, bitter front of the sea
I stand, and remember
Dead things that were brothers and sisters of thee,
Resplendent September.

The West, when it blows at the fall of the noon
And beats on the beaches,
Is filled with tender and tremulous tune
That touches and teaches;
The stories of youth, of the burden of time,
And the death of devotion,
Come back with the wind, and are themes of the rhyme
In the waves of the ocean.

We, having a secret to others unknown,
In the cool mountain-mosses,
May whisper together, September, alone
Of our loves and our loses.
One word for her beauty, and one for the grace
She gave to the hours;
And then we may kiss her, and suffer her face
to sleep with the flowers.

Oh, season of changes – of shadow and shine –
September the splendid!
My song hath no music to mingle with thine,
And its burden is ended;
But thou, being born of the winds and the sun,
By mountain, by river,
Mayst lighten and listen, and loiter and run,
With thy voices for ever.

 

Summer
Louis Lavater (1867 – 1953)

I am weary,
Weary of bracing myself against the sun’s hot hand;
I am weary, and I dream of cool places . . . .

I see a grassy couch
Under a canopy of leaves;
A reedy river murmers by,
Crooning an old, old melody
Tuned to a long-forgotten scale,
Made when the world was young.

Rolled to the river’s edge the hills lie fast asleep;
Pale stars slip o’er their ledge and sink into the deep:
Down in the deep they sink to slumbrous peace,
Down in the deep they drink the water of peace;
In the quiet deep they quench their fires in sleep
And drown in a cool green dream.

The sun insists his burning hand upon my head;
I am weary, and I dream of cool places.

 

When the Sun’s Behind the Hill
C J Dennis (1876 – 1938)

There’s a soft and peaceful feeling
Comes across the farming hand
As the shadows go a-stealing
Slow along the new-turned land.
The lazy curling smoke above the thatch is showing blue,
And the weary old plough horses wander homeward two ‘n’ two,
With their chains a’clinkin’, clankin’, when their daily toil is through,
And the sun’s behnd the hill.
Then it’s slowly homeward plodding
As the night begins to creep,
And the barley grass is nodding
To the daisies, all asleep,
The crows are flying heavily, and cawing overhead;
The sleepy milking cows are lowing sof’ly in the shed,
And above them, in the rafters, all the fowls have gone to bed,
When the sun&’s behind the hill.
Then it’s “Harry, feed old Roaney!”
And it’s “Bill, put up the rail!”
And it’s “Tom, turn out the pony!”
“Mary, hurry with the pail!”
And the kiddies run to meet us, and are begging for a ride
On the broad old “Prince” and “Darkey” they can hardly sit astride;
And mother, she is bustling with the supper things inside,
When the sun&’s behind the hill.
Then it’s sitting down and yarning
When we’ve had our bite and sup,
And the mother takes her darning,
And Bess tells how the baldy cow got tangled in the wire,
And Katie keeps the baby-boy from tumbling in the fire;
And the baccy smoke goes curling as I suck my soothing briar,
When the sun’s behind the hill.
And we talk about the season,
And of how it’s turning out,
And we try to guess the reason
For the long-continued drought,
Oh! a farmer’s life ain’t roses and his work is never done:
And a job’s no sooner over than another is begun.
For he’s toiling late and early from the rising of the sun
Till he sinks behind the hill.
But it grows, that peaceful feeling
While I’m sitting smoking there,
And the kiddies all are kneeling
To repeat their ev’ning prayer;
For it seems, somehow, to lighten all the care that must be bore
When the things of life are worrying, and times are troubling sore;
And I pray that God will keep them when my own long-day is o’er,
And the sun’s behind the hill.

 

A Ballade of Wattle Blossom
R Richardson

There’s a land that is happy and fair,
Set gem-like in halcyon seas;
The white winters visit not there,
To sadden its blossoming leas,
More bland than the Hesperides,
Or any warm isle of the West,
Where the wattle-bloom perfumes the breeze,
Ant the bell-bird builds her nest.

When the oak and the elm are bare,
And wild winds vex the shuddering trees;
There the clematis whitens the air,
And the husbandman laughs as he sees
The grass rippling green to his knees,
And his vineyards in emerald drest–
Where the wattle-bloom bends in the breeze,
And the bell-bird builds her nest.

What land is with this to compare?
Not the green hills of Hybia, with bees
Honey-sweet, are more radiant and rare
In colour and fragrance than these
Boon shores, where the storm-clouds cease,
And the wind and the wave are at rest–
Where the wattle-bloom waves in the breeze,
And the bell-bird builds her nest.

 

Elise Janes

 

All poems are in the public domain and sourced from http://www.poets.org and http://australianpoems.tripod.com